Contact
Email: eltiberia@cambridge.org
X
Thanks and acknowledgements
Cambridge University Press is part of the University of Cambridge.
It furthers the University's mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
José Abascal 56, 1° – 28003 Madrid, Spain
www.cambridge.es
© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B2 DVD-ROM: 9788490362020
Digital Empower B2 Online: 9788490361191
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones
Workbook: Wayne Rimmer
Teacher's Book: Lynda Edwards with Ruth Gairns, Stuart Redman, Wayne Rimmer and Julian Oakley
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they have provided during the development of the B2 Student's book:
Andre Alipio, Brazil; Peggy Altpekin, Turkey and the Gulf; Natalia Bayrak, Russia; Kate Chomacki, UK; Leonor Corradi, Argentina; Sandra Aliotti, Argentina; Ludmila Gorodetskaya, Russia; Ludmila Kozhevnikova, Russia; Ralph Grayson, Peru; Steve Laslett, UK; Rabab Marouf, Syria; Christina Maurer Smolder, Australia; Mariusz Mirecki, Poland; Catherine Morley, Spain; Antonio Mota Cosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil; Elena Pro, Spain; Wayne Rimmer, Russia; Ruth Sánchez, Spain; Hilda Zubiria, Peru; Michael Ward, UK.
The publishers are grateful to the following contributors: Gareth Boden: commissioned photography; Leon Chambers: audio recordings; Hilary Luckcock: picture research, commissioned photography; Rob Maidment and Sharp Focus Productions: video recordings, video stills; Catherine Smith: writer (Speaking Plus); Janelle Kolas: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Charlotte Johnson: editor (English for Spanish Speakers); Lanchuela: design and typesetting (English for Spanish Speakers); Paloma Bermejo: picture research (English for Spanish Speakers); Theo Jaskolkowski and Robert Campbell: audio recordings (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted.
While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material: The New Zealand Herald for the extract on p. 21 'Robert Hewitt's story of survival', The New Zealand Herald 19/03/2006; Encomium for the headline 'How I spent my prize money - Nigerian Idol Seasson III winner, Moses Obi' Encomium 01/11/2013; The extract on p. 44 '19 Lottery Winners who Blew it All', by Mandi Woodruff with permission from Business Insider; The Telegraph for the extract on p. 44 (Zsolt Pelardi) 'Brothers living in cave to inherit billions from lost grandmother', by Henry Samuel The Telegraph 02/12/2009; Hamilton Spectator for the extract on p. 44 (Sharon Tirabassi:)'Hamilton's penniless millionaire', by Molly Hayes Hamilton Spectator 21/03/2013; Guardian News & Media Ltd for the adapted extract on p. 72 'Ancient tribal language becomes extinct as last speaker dies', by Jonathan Watts The Guardian 10/02/2004; The adapted extract on p. 129 'Separated twin boys with almost identical lives', Reader's Digest, January 1980 with permission from Reader's Digest magazine; The extract on p. 125 from 'A tangled web (Level 5)'by Alan Maley © Cambridge University Press, 2004, reproduced with permission.
Key: L = left, C = centre, R = right, T = top, B = bottom,b/g = background
p7: David Cooper via Getty Images; p8(BL): Corbis/Lance Iversen/San Francisco Chronicle; p8(BC): Alamy/Helen Sessions; p9(BL): Corbis/Louis Psihoyos; p9(BR): Getty Images; p10(L): SSPL via Getty Images; p10(b/g): Shutterstock/Clearviewstock; p11(T): Corbis/Rainer Holz; p11(C):Corbis/John Lund/Marc Romanelli/Blend Images; p11(B): Corbis/Heide Benser; p12(T): Getty/Julie Toy; p12(B): Shutterstock/Cameron Whitman; pp12/13(b/g): Getty/Jordan Siemens; p13: Shutterstock/Nadino; p16: Alamy/Cultura Creative; p17: Shutterstock/Yeko Photo Studio; p19: Getty/Justin Tallis/Stringer; p20(B): Getty/Georgette Douwma; p21(TC): Shutterstock/Joze Maucec; p21(BC): Shutterstock/Olgysha; p21(BR): Fairfax Media, New Zealand; p23: Getty/Betty Wiley; p25(T): Random House; p25(B): Thinkstock/Andrea Poole; p27(B): Alamy/Nigel Cattlin; p28(mountain): Shutterstock/Mogens Trolle; p28(forest): Shutterstock/Aleksander Bolbot; p28(beach): Alamy/Chris Pancewicz; p28(desert): Shutterstock/Keith Wheatley; p29: Shutterstock/Mogens Trolle; p31: Getty/Ben Stansall/Staff; p32(B): Shutterstock/Akos Nagy; p33(T): Corbis/Mika; p33(B): Shutterstock/Image Point Fr; p34(L): Corbis/Hero Images; p34(C): Alamy/UpperCut Images; p34(R): Shutterstock/Chad McDermott; p35(TL): Corbis/KCS Presse/Splash News; p35(TC): Boston Globe via Getty Images; p35(TR): Corbis/BPI/Marc Atkins; p35(CL): Getty Images; p35(CR): Corbis/Diego Azubel/epa; p35(BL): Corbis/Tim Clayton; p35(BR): Alamy/PCN Photography; p36(T): Penguin Group; pp36/37(B): Corbis/per-Anders Pettersson; p37(TR): Alamy/Richard Ellis; p37(BR): MLB Photos via Getty Images; p40: Shutterstock/Vito Zgonc; p41(R): Corbis/Sho Tamura/AFLO/Nippon News; p41(L): Corbis/Sean Burgess/Icon SMI; p43: Getty/Jean-Luc Luyssen; p44: Corbis/Michael A Keller; p46(T): Corbis/Sherrie Nickol; p46(B): Alamy/Blend Images; p47(TL): Getty/Digital Vision; p47(B): Corbis/John Carnemolla; p47(R): Corbis/Sebastian Kahnert/dpa; p47(BL): Alamy/Alaska Stock; p48: Shutterstock/Jack Q; p49(T): Shutterstock/Rostislav Glinsky; p49(C): Corbis/Alessandra Bianchi/Reuters; p49(B): Alamy/Nico Smit; p50(CL): Alamy/Derek Meijer; p50(CR): Shutterstock/Yuttasak Jannarong; p52(Toronto): Shutterstock/Lissandra Melo; p52(Katowice): Alamy/brimo; p52(Muscat): Alamy/image BROKER; p52(Eva): Getty/Image Source; p52(Nick): Shutterstock/Monkey Business Images; p52(Jean): Alamy/Radius Images; p52(BL): Alamy/Bill Cheyrou; p55: Getty/Louisa Gouliamaki/Stringer; p56(TR): istockphoto/Mlenny Photography; p56(TR)(bg): Alamy/Lourens Smak; p56(BR): Shutterstock/selfnouveau; p57(TL): Alamy/Lourens Smak; p57(B): Corbis/Will & Deni McIntyre; p59(CL): Alamy/Alaska Stock; p59(CR): istockphoto/Marcel C; 59(TR)(b/g): Shutterstock/fivepointsix; p59(B): Shutterstock/fivepointsix; p60(BL): Shutterstock/Aleksey Stemmer; p60(BR): Alamy/chefs; p61(TL): Alamy/Anna; p61(CL): Alamy/Huntstock Inc; p61(BL): Alamy/RGB Ventures/Superstock; p61(R): Alamy/Robert Harding Picture Library Ltd; p64(a): Alamy/Ellen McKnight; p64(b): Alamy/blickwinkel; p64(c): Thinkstock/tortoon; pp64/65(d): Alamy/epa European Pressphoto Agency creative account; p64(TR): Shutterstock/arek_malang; p67: Corbis/Randy Faris; p68(TR): Shutterstock/PhotoHouse; p68(CR): Alamy/Brian Jannsen; p68(BL): Shutterstock/lightpoet; p68(BR): Corbis/2/ocean; p69(T): Alamy/Ball Miwako; p69(B): Corbis/Paul Williams-Funkystock/imagebroker; p70(T): Alamy/Emmanuel LATTES; p70(B): Alamy/Matthew Harrison; p70(C): Corbis/Paul Panayiotou; p72(TR): Alamy/Neil McAlister; p72(BL): Alamy/Africa Media Online; p72(BR): Boston Globe via Getty Images; p73: Alamy/David Noton Photography; p76(Manhattan): Shutterstock/S. Borisov; p76(The Grand Canyon): Shutterstock/Keneva Photography; p76(The White House): Shutterstock/vacc lav; p76(Niagara Falls): Alamy/Dennis MacDonald; p76(Las Vegas): Shutterstock/Andrew Zarivny; p76(B): Thinkstock/MMStonei; p76(BR): Shutterstock/Mariusz S Jurgielewicz; p77(BL): Thinkstock/MMStonei; p77(BR): Alamy/Stock Connection Blue; p79: Corbis/Christian Kober/Robert Harding World Imagery; p80(L): Alamy/David R Frazier Photolibrary, Inc; p80(R): Corbis/Rudy Sulgan; p82(TL): Alamy/A.P.S. (UK); p82(TR): Alamy/Iain Masterton; p82(BL): Corbis/Topic Photo Agency; p82(BR): Getty/Richard l'Anson; p84: Corbis/Jochen Luebke/epa; p85(BL): Corbis/DSC 1828. NEF/Construction Photography; p85(BR): Corbis/Hugh Whitaker/Cultura; p88(Ryan): Shutterstock/Cheryl Savan; p88(Susie): Shutterstock/PT Images; p88(Carol): Shutterstock/Image Point Fr; p88(Duncan): Shutterstock/Monkey Business Images; p88(Miles): Shutterstock/Fotoluminate LLC; p88(Marion): Shutterstock/Felix Mizioznikov; p88(BL): istockphoto/Tony Tremblay; p88(B): Getty/Gavin Hellier; p89: Getty/Monty Rakusen; p91: Getty/Tristan Fewings/Stringer; p93: Alamy/imageBROKER; p95: Alamy/ZUMA Press Inc; p96: Getty/Bernhard Lang; p100(1): istockphoto/Dean mitchell; p100(2): Shutterstock/imtmphoto; p100(3): istockphoto/Paco Romero; p100(BR): HarperCollins; p103: Corbis/Mike Powell; p105: Getty/Cultura RM/David Burton; p104: Michael Rosenfeld/Maximilian S; p106: Corbis/Hero Images; p107: Kobal/Red Box Films/Passion Pictures/Canfield; p108: Rex/Sony Pics/Everett; p109: Corbis/Francesca Sara Cauli/Demotix; p112(1): Getty/laflor; p112(2): Corbis/Creativ Studio Heinemann/Westend 61; p112(3): Alamy/FRC Collection; p112(4): Alamy/Dinodia Photos; pp112/113(b/g): Getty/Tatiana Brzozowska; p113: Alamy/Radius Images; p115: Getty/Clive Rose; p118(b/g): Aaron Foster via Getty Images; p118(TL): Alamy/National Geographic Image Collection; p118(TR): Hesperus Press; p119(CR): Shutterstock/luchschen; p119(B): Shutterstock/Pal Teravagimov; p120(T): Rex/Everett Collection; p120(B): John Dolan; p121: Getty/The LIFE Images Collection; p125: Shutterstock/PT Images; p128(CL): Alamy/Hemis; p128(BL): Alamy/travellinglight; p130(B): Alamy/Christian Mueringer; p130(C): Shutterstock/Richard Goldberg; p131(A): Corbis/Konstantin Kokoshkin/Global Look; p131(B): Corbis/Sandro Di Carlo Darsa/es Photography; p131(C): Alamy/RIA Novosti; p156(T): Shutterstock/William Perugini; p156(B): Getty/Chris Ryan; p157: Alamy/Jeff Greenberg 5 of 6; p164(TL): simonkr/Getty Images; p164(R): Nicho Södling/Corbis; p164(BL): Edwin Remsberg/Alamy; p166(L): Blend Images/Alamy; p66 (C): Tony Tallec/Alamy; p166(R): foodfolio/Alamy; p168(TL): g-stockstudio/Shutterstock; p168(TR): Zoonar GmbH/Alamy; p168 (BR): Randy Faris/Corbis; p168(BL): Blend Images/Alamy; p170(T): S.Borisov/Shutterstock; p170(B): Anilah/Shutterstock; p171(T): psapotograpy/Shutterstock; p171(C): Marina99/Shutterstock; p171(BR): Gotan Mstkovic/EyeEm/Getty Images; p171(BL): LS_86/Getty Images; p172 (L): FiledIMAGE/Shutterstock; p172(R): Christoper Meder/Shutterstock; p174(L): QxQ images/Alamy; p174(TR): BeautifulLotus/Getty Images; p174(BR): fizkes/Shutterstock; p176(TL): fipoto/Shutterstock; p176(R): Mark Henderson/Alamy; p176(BL): Cath Harries/Alamy; p178(L): MBI/Alamy; p178(R): Tetra Images/Alamy; p180(L): Loretta Hostettler/Getty Images; p 180(C): PhotoAlto/Alamy; p 180(R): Jason Smith/Alamy; p181(TL): Adisa/Shutterstock; p181 (TR): Ros Drinkwater/Alamy; p181(BR): Gurge Bakhshetsyan/Shutterstock; p181(BL): guentermanaus/Shutterstock; p182(T): Comstock/Getty Images; p182(C): Joshua Rainey Photograpy/Shutterstock; p182(B): ©Agnecja Fotograficzna Caro/Alamy; p184(TL): Aflo Co. Ltd./Alamy; p184(TR): Tim De Waele/TDWsprt.com/Corbis; p184(BR): Michael Buddle/Alamy; p184(BL): Action Plus Sprts Images/Alamy; p185: Clive Brunskill; p186: Peter Parks/Getty Images; p187(T): Pixavril/Shutterstock; p187(B): MshieldsPhotos/Alamy; p188: MARKABOND/Shutterstock; p189: PHOTOCREO Michal Bednarek/Shutterstock.
Commissioned photography by Gareth Boden: pp83, 133.
Commissioned photography by Sophie Clarke: p128 (ABC).
We are grateful to Hertfordshire County Council for their help with the commissioned photography.
The following stills were taken on commission by Rob Maidment and Sharp Focus Productions for Cambridge University Press: pp 14, 15, 26, 27(TC), 38, 39, 50(TR), 51, 62, 63, 74, 75, 86, 87, 98, 99, 110, 111, 122.
Front cover photograph: Shutterstock/zhu difeng
Cover design: Chefer
The publishers would like to thank the following illustrators: David Semple; Dusan Lakicevic; Gavin Reece; Jerome Mireault; Jo Goodberry; John (KJA Artists); Marie-Eve Tremblay; Mark Bird; Mark Duffin; Martin Sanders; Paul Williams; Roger Penwill; Sean (KJA Artists); Sean Sims; Antonio Cuesta Cornejo (English for Spanish Speakers).
Video: Click here
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge ESOL and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Third Edition, 2008 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p.4(TR): Shutterstock/Auremar; p.5(1): Shutterstock/Goran Bogicevic; p.5(2): Getty Images/Mike Harrington; p.5(3): Alamy/Tom Parkes; p.5(4): Alamy/Mac Pix; p.5(5): Alamy/Image Source Salsa; p.5(6): Shutterstock/Natasha Breen; p.6(TR): Shutterstock/Maria Danilkina; p.6(BL): Shutterstock/Orletskyyyy; p.7(BR): Shutterstock/Warren Goldswain; p.8(BL): Shutterstock/Yakub88; p.9(TL): Shutterstock/Tyler Olson; p.11(BR): Shutterstock/Peter Wollinga; p.12(BL): Shutterstock/Tatiana Popova; p.13(B): Alamy/Eitan Simanor; p.14(CL): Shutterstock/Mogens Trolle; p.14(BR): Shutterstock/Enciktat; p.14(C): Shutterstock/Erni; p.14(BL): Shutterstock/James Van Den Broek; p.15(TL): Shutterstock/Salajean; p.16(TR): Shutterstock/lculig; p.17(TL): Getty Images/MLB Photos; p.20(B): Alamy/PCN Photography; p.21(TL): Shutterstock/Mangostock; p.22(B): Shutterstock/Shahid Ali Khan; p.25(BR): Shutterstock/Vito Zgonc; p.26(C): Shutterstock/Connel; p.27(TL): Shutterstock/Rawpixel; p.28(T): iStockphoto/Mlenny; p.29(CL): Alamy/Robert Harding Picture Library Ltd/Geoff Renner; p.29(1): Alamy/Design Pics/Ernest Manewal; p.29(2): Shutterstock/CoolKengzz; p.29(3): Shutterstock/Johnny Habell; p.29(4): Shutterstock/Keith Wheatley; p.29(5): iStockphoto/MarcelC; p.29(6): Shutterstock/OliverSved; p.29(7): Alamy/Keith Morris News; p.29(8): Alamy/Ellen McKnight; p.29(9): Shutterstock/Huguette Roe; p.30(B): Shutterstock/Gurgen Bakhshetsyan; p.31(T): Shutterstock/Blvdone; p.31(BR): Corbis/Per-Anders Pettersson; p.32: Shutterstock/Ollyy; p.33(TL): Shutterstock/Kzenon; p.34(CL): Shutterstock/PhotoHouse; p.34(BL): Alamy/Dennis MacDonald; p.36(CL): Shutterstock/Monkey Business Images; p.36(BR): Shutterstock/Monkey Business Images; p.37(T): Shutterstock/Andrew Zarivny; p.38(BR): Alamy/Peter Horree; p.39(TL): Shutterstock/Gpointstudio; p.40(BR): Alamy/David R Frazier Photolibrary; p.42(BL): Shutterstock/Trekandshoot; p.43(CL): Shutterstock/Tyler Olson; p.44(TR): Shutterstock/Steve Cukrov; p.45(BL): Shutterstock/Chungking; p.46(BR): Shutterstock/Michaelpuche; p.49(TR): Alamy/AF Archive; p.50(TR): Shutterstock/Goodluz; p.51(TL): Shutterstock/Gordana Sermek; p.52(TR): Shutterstock/Image Point Fr; p.54(TR): Shutterstock/Phase4Studios; p.55(TL): Shutterstock/Maridav; p.56(BR): Shutterstock/RazoomGame; p.57(TL): Shutterstock/Monkey Business Images; p.58(BL): Corbis/Colorsport; p.58(BR): Shutterstock/Dotshock; p.59(TR): Alamy/AF Archive; p.60(B): Shutterstock/Peter Clark; p.61(TL): Shutterstock/Gudmund; p.62(BR): Shutterstock/Peshkova; p.63(CL): Shutterstock/StockLite.
Video stills by Rob Maidment and Sharp Focus Productions:p.18, p.24, p.35(CL), p.42(TR), p.48(TR), p.48(BR), p.60, p.64, p.67, p.68, p.69.
Filming in King's College by kind permission of the Provost and Scholars of King's College, Cambridge.
Illustrations by Mark Bird p.35, 54; Sean / KJA p.40; Greg Roberts p.41; David Semple p.23, 47; Vicky Woodgate p.10.
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Eoin Higgins: writer (Teacher's notes); Louise Davoren: editor; Penny Nicholson: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: Mark Bird, Paul Williams, Sean (KJA)
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom, BG = background
Lessons A&B p9(BG): Shutterstock/fivepointsix; Lessons A&B p9(TC): Alamy/Alaska Stock; Lessons A & B p9(C): istockphoto/Marcel C; Lessons A&B p9 (B): Shutterstock/Aleksey Stemmer; Lessons A&B p9 (BR): Lessons A&B p9; Lessons A&B p9(C): Alamy/Huntstock Inc; Lessons A&B p9(B)(penguin): Alamy/RGB Ventures/Superstock; Lessons A & B p9(R): Alamy/Robert Harding Picture Library Ltd; Lesson C p10: Rob Maidment and Sharp Focus Productions for Cambridge University Press; Lesson D p11(TC): Shutterstock/arek_malang; Lesson D p11(a): Alamy/Ellen McKnight; Lesson D p11(b): Alamy/blickwinkel; Lesson D p11(c): Thinkstock/tortoon; Lesson D p11(d): Alamy/epa European Pressphoto Agency creative account; p12 (L): FiledIMAGE/Shutterstock; p12(R): Christoper Meder/Shutterstock; p13(T): MARKABOND/Shutterstock; p13(B): PHOTOCREO Michal Bednarek/Shutterstock p217: Shutterstock/American Spirit; p222: Shutterstock/Sophie McAulay.
Front cover photograph by Shutterstock/zhu difeng.
Cover design: Chefer
Cambridge University Press is part of the University of Cambridge.
It furthers the University's mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
José Abascal 56, 1° – 28003 Madrid, Spain
www.cambridge.es
© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B2 DVD-ROM: 9788490362020
Digital Empower B2 Online: 9788490361191
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones
Workbook: Wayne Rimmer
Teacher's Book: Lynda Edwards with Ruth Gairns, Stuart Redman, Wayne Rimmer and Julian Oakley
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they have provided during the development of the B2 Student's book:
Andre Alipio, Brazil; Peggy Altpekin, Turkey and the Gulf; Natalia Bayrak, Russia; Kate Chomacki, UK; Leonor Corradi, Argentina; Sandra Aliotti, Argentina; Ludmila Gorodetskaya, Russia; Ludmila Kozhevnikova, Russia; Ralph Grayson, Peru; Steve Laslett, UK; Rabab Marouf, Syria; Christina Maurer Smolder, Australia; Mariusz Mirecki, Poland; Catherine Morley, Spain; Antonio Mota Cosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil; Elena Pro, Spain; Wayne Rimmer, Russia; Ruth Sánchez, Spain; Hilda Zubiria, Peru; Michael Ward, UK.
The publishers are grateful to the following contributors: Gareth Boden: commissioned photography; Leon Chambers: audio recordings; Hilary Luckcock: picture research, commissioned photography; Rob Maidment and Sharp Focus Productions: video recordings, video stills; Catherine Smith: writer (Speaking Plus); Janelle Kolas: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Charlotte Johnson: editor (English for Spanish Speakers); Lanchuela: design and typesetting (English for Spanish Speakers); Paloma Bermejo: picture research (English for Spanish Speakers); Theo Jaskolkowski and Robert Campbell: audio recordings (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted.
While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material: The New Zealand Herald for the extract on p. 21 'Robert Hewitt's story of survival', The New Zealand Herald 19/03/2006; Encomium for the headline 'How I spent my prize money - Nigerian Idol Seasson III winner, Moses Obi' Encomium 01/11/2013; The extract on p. 44 '19 Lottery Winners who Blew it All', by Mandi Woodruff with permission from Business Insider; The Telegraph for the extract on p. 44 (Zsolt Pelardi) 'Brothers living in cave to inherit billions from lost grandmother', by Henry Samuel The Telegraph 02/12/2009; Hamilton Spectator for the extract on p. 44 (Sharon Tirabassi:)'Hamilton's penniless millionaire', by Molly Hayes Hamilton Spectator 21/03/2013; Guardian News & Media Ltd for the adapted extract on p. 72 'Ancient tribal language becomes extinct as last speaker dies', by Jonathan Watts The Guardian 10/02/2004; The adapted extract on p. 129 'Separated twin boys with almost identical lives', Reader's Digest, January 1980 with permission from Reader's Digest magazine; The extract on p. 125 from 'A tangled web (Level 5)'by Alan Maley © Cambridge University Press, 2004, reproduced with permission.
Key: L = left, C = centre, R = right, T = top, B = bottom,b/g = background
p7: David Cooper via Getty Images; p8(BL): Corbis/Lance Iversen/San Francisco Chronicle; p8(BC): Alamy/Helen Sessions; p9(BL): Corbis/Louis Psihoyos; p9(BR): Getty Images; p10(L): SSPL via Getty Images; p10(b/g): Shutterstock/Clearviewstock; p11(T): Corbis/Rainer Holz; p11(C):Corbis/John Lund/Marc Romanelli/Blend Images; p11(B): Corbis/Heide Benser; p12(T): Getty/Julie Toy; p12(B): Shutterstock/Cameron Whitman; pp12/13(b/g): Getty/Jordan Siemens; p13: Shutterstock/Nadino; p16: Alamy/Cultura Creative; p17: Shutterstock/Yeko Photo Studio; p19: Getty/Justin Tallis/Stringer; p20(B): Getty/Georgette Douwma; p21(TC): Shutterstock/Joze Maucec; p21(BC): Shutterstock/Olgysha; p21(BR): Fairfax Media, New Zealand; p23: Getty/Betty Wiley; p25(T): Random House; p25(B): Thinkstock/Andrea Poole; p27(B): Alamy/Nigel Cattlin; p28(mountain): Shutterstock/Mogens Trolle; p28(forest): Shutterstock/Aleksander Bolbot; p28(beach): Alamy/Chris Pancewicz; p28(desert): Shutterstock/Keith Wheatley; p29: Shutterstock/Mogens Trolle; p31: Getty/Ben Stansall/Staff; p32(B): Shutterstock/Akos Nagy; p33(T): Corbis/Mika; p33(B): Shutterstock/Image Point Fr; p34(L): Corbis/Hero Images; p34(C): Alamy/UpperCut Images; p34(R): Shutterstock/Chad McDermott; p35(TL): Corbis/KCS Presse/Splash News; p35(TC): Boston Globe via Getty Images; p35(TR): Corbis/BPI/Marc Atkins; p35(CL): Getty Images; p35(CR): Corbis/Diego Azubel/epa; p35(BL): Corbis/Tim Clayton; p35(BR): Alamy/PCN Photography; p36(T): Penguin Group; pp36/37(B): Corbis/per-Anders Pettersson; p37(TR): Alamy/Richard Ellis; p37(BR): MLB Photos via Getty Images; p40: Shutterstock/Vito Zgonc; p41(R): Corbis/Sho Tamura/AFLO/Nippon News; p41(L): Corbis/Sean Burgess/Icon SMI; p43: Getty/Jean-Luc Luyssen; p44: Corbis/Michael A Keller; p46(T): Corbis/Sherrie Nickol; p46(B): Alamy/Blend Images; p47(TL): Getty/Digital Vision; p47(B): Corbis/John Carnemolla; p47(R): Corbis/Sebastian Kahnert/dpa; p47(BL): Alamy/Alaska Stock; p48: Shutterstock/Jack Q; p49(T): Shutterstock/Rostislav Glinsky; p49(C): Corbis/Alessandra Bianchi/Reuters; p49(B): Alamy/Nico Smit; p50(CL): Alamy/Derek Meijer; p50(CR): Shutterstock/Yuttasak Jannarong; p52(Toronto): Shutterstock/Lissandra Melo; p52(Katowice): Alamy/brimo; p52(Muscat): Alamy/image BROKER; p52(Eva): Getty/Image Source; p52(Nick): Shutterstock/Monkey Business Images; p52(Jean): Alamy/Radius Images; p52(BL): Alamy/Bill Cheyrou; p55: Getty/Louisa Gouliamaki/Stringer; p56(TR): istockphoto/Mlenny Photography; p56(TR)(bg): Alamy/Lourens Smak; p56(BR): Shutterstock/selfnouveau; p57(TL): Alamy/Lourens Smak; p57(B): Corbis/Will & Deni McIntyre; p59(CL): Alamy/Alaska Stock; p59(CR): istockphoto/Marcel C; 59(TR)(b/g): Shutterstock/fivepointsix; p59(B): Shutterstock/fivepointsix; p60(BL): Shutterstock/Aleksey Stemmer; p60(BR): Alamy/chefs; p61(TL): Alamy/Anna; p61(CL): Alamy/Huntstock Inc; p61(BL): Alamy/RGB Ventures/Superstock; p61(R): Alamy/Robert Harding Picture Library Ltd; p64(a): Alamy/Ellen McKnight; p64(b): Alamy/blickwinkel; p64(c): Thinkstock/tortoon; pp64/65(d): Alamy/epa European Pressphoto Agency creative account; p64(TR): Shutterstock/arek_malang; p67: Corbis/Randy Faris; p68(TR): Shutterstock/PhotoHouse; p68(CR): Alamy/Brian Jannsen; p68(BL): Shutterstock/lightpoet; p68(BR): Corbis/2/ocean; p69(T): Alamy/Ball Miwako; p69(B): Corbis/Paul Williams-Funkystock/imagebroker; p70(T): Alamy/Emmanuel LATTES; p70(B): Alamy/Matthew Harrison; p70(C): Corbis/Paul Panayiotou; p72(TR): Alamy/Neil McAlister; p72(BL): Alamy/Africa Media Online; p72(BR): Boston Globe via Getty Images; p73: Alamy/David Noton Photography; p76(Manhattan): Shutterstock/S. Borisov; p76(The Grand Canyon): Shutterstock/Keneva Photography; p76(The White House): Shutterstock/vacc lav; p76(Niagara Falls): Alamy/Dennis MacDonald; p76(Las Vegas): Shutterstock/Andrew Zarivny; p76(B): Thinkstock/MMStonei; p76(BR): Shutterstock/Mariusz S Jurgielewicz; p77(BL): Thinkstock/MMStonei; p77(BR): Alamy/Stock Connection Blue; p79: Corbis/Christian Kober/Robert Harding World Imagery; p80(L): Alamy/David R Frazier Photolibrary, Inc; p80(R): Corbis/Rudy Sulgan; p82(TL): Alamy/A.P.S. (UK); p82(TR): Alamy/Iain Masterton; p82(BL): Corbis/Topic Photo Agency; p82(BR): Getty/Richard l'Anson; p84: Corbis/Jochen Luebke/epa; p85(BL): Corbis/DSC 1828. NEF/Construction Photography; p85(BR): Corbis/Hugh Whitaker/Cultura; p88(Ryan): Shutterstock/Cheryl Savan; p88(Susie): Shutterstock/PT Images; p88(Carol): Shutterstock/Image Point Fr; p88(Duncan): Shutterstock/Monkey Business Images; p88(Miles): Shutterstock/Fotoluminate LLC; p88(Marion): Shutterstock/Felix Mizioznikov; p88(BL): istockphoto/Tony Tremblay; p88(B): Getty/Gavin Hellier; p89: Getty/Monty Rakusen; p91: Getty/Tristan Fewings/Stringer; p93: Alamy/imageBROKER; p95: Alamy/ZUMA Press Inc; p96: Getty/Bernhard Lang; p100(1): istockphoto/Dean mitchell; p100(2): Shutterstock/imtmphoto; p100(3): istockphoto/Paco Romero; p100(BR): HarperCollins; p103: Corbis/Mike Powell; p105: Getty/Cultura RM/David Burton; p104: Michael Rosenfeld/Maximilian S; p106: Corbis/Hero Images; p107: Kobal/Red Box Films/Passion Pictures/Canfield; p108: Rex/Sony Pics/Everett; p109: Corbis/Francesca Sara Cauli/Demotix; p112(1): Getty/laflor; p112(2): Corbis/Creativ Studio Heinemann/Westend 61; p112(3): Alamy/FRC Collection; p112(4): Alamy/Dinodia Photos; pp112/113(b/g): Getty/Tatiana Brzozowska; p113: Alamy/Radius Images; p115: Getty/Clive Rose; p118(b/g): Aaron Foster via Getty Images; p118(TL): Alamy/National Geographic Image Collection; p118(TR): Hesperus Press; p119(CR): Shutterstock/luchschen; p119(B): Shutterstock/Pal Teravagimov; p120(T): Rex/Everett Collection; p120(B): John Dolan; p121: Getty/The LIFE Images Collection; p125: Shutterstock/PT Images; p128(CL): Alamy/Hemis; p128(BL): Alamy/travellinglight; p130(B): Alamy/Christian Mueringer; p130(C): Shutterstock/Richard Goldberg; p131(A): Corbis/Konstantin Kokoshkin/Global Look; p131(B): Corbis/Sandro Di Carlo Darsa/es Photography; p131(C): Alamy/RIA Novosti; p156(T): Shutterstock/William Perugini; p156(B): Getty/Chris Ryan; p157: Alamy/Jeff Greenberg 5 of 6; p164(TL): simonkr/Getty Images; p164(R): Nicho Södling/Corbis; p164(BL): Edwin Remsberg/Alamy; p166(L): Blend Images/Alamy; p66 (C): Tony Tallec/Alamy; p166(R): foodfolio/Alamy; p168(TL): g-stockstudio/Shutterstock; p168(TR): Zoonar GmbH/Alamy; p168 (BR): Randy Faris/Corbis; p168(BL): Blend Images/Alamy; p170(T): S.Borisov/Shutterstock; p170(B): Anilah/Shutterstock; p171(T): psapotograpy/Shutterstock; p171(C): Marina99/Shutterstock; p171(BR): Gotan Mstkovic/EyeEm/Getty Images; p171(BL): LS_86/Getty Images; p172 (L): FiledIMAGE/Shutterstock; p172(R): Christoper Meder/Shutterstock; p174(L): QxQ images/Alamy; p174(TR): BeautifulLotus/Getty Images; p174(BR): fizkes/Shutterstock; p176(TL): fipoto/Shutterstock; p176(R): Mark Henderson/Alamy; p176(BL): Cath Harries/Alamy; p178(L): MBI/Alamy; p178(R): Tetra Images/Alamy; p180(L): Loretta Hostettler/Getty Images; p 180(C): PhotoAlto/Alamy; p 180(R): Jason Smith/Alamy; p181(TL): Adisa/Shutterstock; p181 (TR): Ros Drinkwater/Alamy; p181(BR): Gurge Bakhshetsyan/Shutterstock; p181(BL): guentermanaus/Shutterstock; p182(T): Comstock/Getty Images; p182(C): Joshua Rainey Photograpy/Shutterstock; p182(B): ©Agnecja Fotograficzna Caro/Alamy; p184(TL): Aflo Co. Ltd./Alamy; p184(TR): Tim De Waele/TDWsprt.com/Corbis; p184(BR): Michael Buddle/Alamy; p184(BL): Action Plus Sprts Images/Alamy; p185: Clive Brunskill; p186: Peter Parks/Getty Images; p187(T): Pixavril/Shutterstock; p187(B): MshieldsPhotos/Alamy; p188: MARKABOND/Shutterstock; p189: PHOTOCREO Michal Bednarek/Shutterstock.
Commissioned photography by Gareth Boden: pp83, 133.
Commissioned photography by Sophie Clarke: p128 (ABC).
We are grateful to Hertfordshire County Council for their help with the commissioned photography.
The following stills were taken on commission by Rob Maidment and Sharp Focus Productions for Cambridge University Press: pp 14, 15, 26, 27(TC), 38, 39, 50(TR), 51, 62, 63, 74, 75, 86, 87, 98, 99, 110, 111, 122.
Front cover photograph: Shutterstock/zhu difeng
Cover design: Chefer
The publishers would like to thank the following illustrators: David Semple; Dusan Lakicevic; Gavin Reece; Jerome Mireault; Jo Goodberry; John (KJA Artists); Marie-Eve Tremblay; Mark Bird; Mark Duffin; Martin Sanders; Paul Williams; Roger Penwill; Sean (KJA Artists); Sean Sims; Antonio Cuesta Cornejo (English for Spanish Speakers).
Video: Click here
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge ESOL and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Third Edition, 2008 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p.4(TR): Shutterstock/Auremar; p.5(1): Shutterstock/Goran Bogicevic; p.5(2): Getty Images/Mike Harrington; p.5(3): Alamy/Tom Parkes; p.5(4): Alamy/Mac Pix; p.5(5): Alamy/Image Source Salsa; p.5(6): Shutterstock/Natasha Breen; p.6(TR): Shutterstock/Maria Danilkina; p.6(BL): Shutterstock/Orletskyyyy; p.7(BR): Shutterstock/Warren Goldswain; p.8(BL): Shutterstock/Yakub88; p.9(TL): Shutterstock/Tyler Olson; p.11(BR): Shutterstock/Peter Wollinga; p.12(BL): Shutterstock/Tatiana Popova; p.13(B): Alamy/Eitan Simanor; p.14(CL): Shutterstock/Mogens Trolle; p.14(BR): Shutterstock/Enciktat; p.14(C): Shutterstock/Erni; p.14(BL): Shutterstock/James Van Den Broek; p.15(TL): Shutterstock/Salajean; p.16(TR): Shutterstock/lculig; p.17(TL): Getty Images/MLB Photos; p.20(B): Alamy/PCN Photography; p.21(TL): Shutterstock/Mangostock; p.22(B): Shutterstock/Shahid Ali Khan; p.25(BR): Shutterstock/Vito Zgonc; p.26(C): Shutterstock/Connel; p.27(TL): Shutterstock/Rawpixel; p.28(T): iStockphoto/Mlenny; p.29(CL): Alamy/Robert Harding Picture Library Ltd/Geoff Renner; p.29(1): Alamy/Design Pics/Ernest Manewal; p.29(2): Shutterstock/CoolKengzz; p.29(3): Shutterstock/Johnny Habell; p.29(4): Shutterstock/Keith Wheatley; p.29(5): iStockphoto/MarcelC; p.29(6): Shutterstock/OliverSved; p.29(7): Alamy/Keith Morris News; p.29(8): Alamy/Ellen McKnight; p.29(9): Shutterstock/Huguette Roe; p.30(B): Shutterstock/Gurgen Bakhshetsyan; p.31(T): Shutterstock/Blvdone; p.31(BR): Corbis/Per-Anders Pettersson; p.32: Shutterstock/Ollyy; p.33(TL): Shutterstock/Kzenon; p.34(CL): Shutterstock/PhotoHouse; p.34(BL): Alamy/Dennis MacDonald; p.36(CL): Shutterstock/Monkey Business Images; p.36(BR): Shutterstock/Monkey Business Images; p.37(T): Shutterstock/Andrew Zarivny; p.38(BR): Alamy/Peter Horree; p.39(TL): Shutterstock/Gpointstudio; p.40(BR): Alamy/David R Frazier Photolibrary; p.42(BL): Shutterstock/Trekandshoot; p.43(CL): Shutterstock/Tyler Olson; p.44(TR): Shutterstock/Steve Cukrov; p.45(BL): Shutterstock/Chungking; p.46(BR): Shutterstock/Michaelpuche; p.49(TR): Alamy/AF Archive; p.50(TR): Shutterstock/Goodluz; p.51(TL): Shutterstock/Gordana Sermek; p.52(TR): Shutterstock/Image Point Fr; p.54(TR): Shutterstock/Phase4Studios; p.55(TL): Shutterstock/Maridav; p.56(BR): Shutterstock/RazoomGame; p.57(TL): Shutterstock/Monkey Business Images; p.58(BL): Corbis/Colorsport; p.58(BR): Shutterstock/Dotshock; p.59(TR): Alamy/AF Archive; p.60(B): Shutterstock/Peter Clark; p.61(TL): Shutterstock/Gudmund; p.62(BR): Shutterstock/Peshkova; p.63(CL): Shutterstock/StockLite.
Video stills by Rob Maidment and Sharp Focus Productions:p.18, p.24, p.35(CL), p.42(TR), p.48(TR), p.48(BR), p.60, p.64, p.67, p.68, p.69.
Filming in King's College by kind permission of the Provost and Scholars of King's College, Cambridge.
Illustrations by Mark Bird p.35, 54; Sean / KJA p.40; Greg Roberts p.41; David Semple p.23, 47; Vicky Woodgate p.10.
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Eoin Higgins: writer (Teacher's notes); Louise Davoren: editor; Penny Nicholson: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: Mark Bird, Paul Williams, Sean (KJA)
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom, BG = background
Lessons A&B p9(BG): Shutterstock/fivepointsix; Lessons A&B p9(TC): Alamy/Alaska Stock; Lessons A & B p9(C): istockphoto/Marcel C; Lessons A&B p9 (B): Shutterstock/Aleksey Stemmer; Lessons A&B p9 (BR): Lessons A&B p9; Lessons A&B p9(C): Alamy/Huntstock Inc; Lessons A&B p9(B)(penguin): Alamy/RGB Ventures/Superstock; Lessons A & B p9(R): Alamy/Robert Harding Picture Library Ltd; Lesson C p10: Rob Maidment and Sharp Focus Productions for Cambridge University Press; Lesson D p11(TC): Shutterstock/arek_malang; Lesson D p11(a): Alamy/Ellen McKnight; Lesson D p11(b): Alamy/blickwinkel; Lesson D p11(c): Thinkstock/tortoon; Lesson D p11(d): Alamy/epa European Pressphoto Agency creative account; p12 (L): FiledIMAGE/Shutterstock; p12(R): Christoper Meder/Shutterstock; p13(T): MARKABOND/Shutterstock; p13(B): PHOTOCREO Michal Bednarek/Shutterstock p217: Shutterstock/American Spirit; p222: Shutterstock/Sophie McAulay.
Front cover photograph by Shutterstock/zhu difeng.
Cover design: Chefer
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